Cultivate

Qualify

Conceive

Refine

Realise

Revisit

Look before you design

We continually observe and connect with the urban and natural worlds, storing clues and references to inspire projects as yet unknown.

V&A Exhibition Road Quarter by AL_A (London, UK)

Green Wall La Pescaia (Tuscany, Italy)

Haptic Roof Life at LFA (London, UK)

Scaffolding on the Tate Modern Blavatnik Building by Herzog & de Meuron (London, UK)

Londonon (London, UK)

Londonon research trip (Oslo, Norway)

Door Knob (Sant'Angelo in Colle, Italy)

Fondazione Prada by Rem Koolhaas (Milan, Italy)

View from White Collar Factory by AHMM (London, UK)

Biblioteca Vasconcelos by Alberto Kalach and Juan Palomar (Mexico City, Mexico)

Serpentine Pavilion by Frida Escobedo (London, UK)

Mountain hut (Zuoz, Switzerland)

Dad Dancing on Haptic study trip (Oslo, Norway)

Londonon research trip (El Ejido, Spain)

Illinois Institute of Technology (Chicago, USA)

Fondazione Prada by Rem Koolhaas (Milan, Italy)

Bartlett Summer Show (London, UK)

Anish Kapoor at Pitzhanger Manor (London, UK)

Dhobi Ghat clothes washing district (Mumbai, India)

Londonon research trip (Milan, Italy)

Bosco Verticale by Stefano Boeri (Milan, Italy)

Roof Life at LFA (London, UK)

Cycle to MIPIM (Cannes, France)

Cycle to MIPIM (Bari, Italy)

Immersive skiing at PropSki (Chamonix, France)

PropSki (Chamonix, France)

Londonon research trip (El Ejido, Spain)

RSH+P Offices at The Leadenhall Building (London, UK)

Oslo Opera House by Snohetta (Oslo, Norway)

Sa Llotja (Palma de Mallorca, Spain)

Londonon research trip (Paris, France)

Oslo City Hall by Arneberg & Magnus Poulsson (Oslo, Norway)

Early morning train journey (Kent, UK)

Nordic Pavilion at the Venice Biennale by Sverre Fehn (Venice, Italy)

Ask the right questions

Led by curiosity, we align what we see with what we know, mapping the context, distilling the brief and uncovering the inherent potential of both.

Uncover the finer grain

With our collaborators we develop and refine the idea, exploring the haptic qualities of the project, and the specifics of look, feel and build.

Match technique and idea

As construction begins, we stay with the project, working with its makers to make sure our design, social and environmental intent is understood and retained.

Complete the circle

All buildings have a life far beyond completion, and we chart the impression our work leaves on environment, place and people for reference in future projects.